Witchmark is an awesome fantasy novel that I devouered over a summer-camp weekend last year. I definitely want to repeat the spoiler warning for this one in particular, as it has a lot of big plot revelations that I wanted to explain to give a proper summary. All that is still hidden in the cut tags; you can safely read the visible parts here and just find out about general setup and my reactions to the novel and themes.
Witchmark is a fantasy romance novel by C. L. Polk, published in 2018. It's set in a world that's reminiscent of early 20th-century England and narrated by Miles Singer, a doctor with magical healing abilities who is caught up in multiple conspiracies as he seeks to uncover a murder alongside a handsome stranger. The book has a twisty and exciting plot, fascinating world-building, memorable characters, and a very satisfying conclusion.
The story is told in first person, meaning a lot of the world-building is discovered only along the way when it becomes relevant to the main character's current situation. I enjoy this kind of structure, and it's handled well here; it makes the world feel lived in and avoids long expository digressions. However, since many setting details are revealed only in the midst of what's already a very complicated plot, it makes the novel hard to summarize clearly without giving some information up front, so I will front-load a bit of it here.
Magic exists in this world, but in the country of Aeland, where the story is set, it's believed to be a dangerous gift. Everyone believes that "witches" are inevitably driven insane by their abilities, and so whenever someone's magic gift is proven, they are committed to "witches' asylums" in remote towns. In banishing such mysticism, Aeland is doing its best to be a modern country, with a cosmopolitan capital, Kingston, and marvels like lighting and automobiles powered by the new invention of the "aether network".
( Spoilers spoilers spoilers... )Agency in general is a clear and well-developed theme in the book. It pervades the setting itself, being a world of class differences and specific manners, and it's also Miles' main concern. He left his family so he could retain his own agency rather than be bound to a Storm-Singer, and the risk of losing that agency is clear as he limits nearly all his personal interactions, rarely trusting anyone lest they find something to use as leverage over him. In the end though, forming a true connection with Tristan actually helps Miles find even more agency, dramatically changing his life and his world.
I can't overstate how much I enjoyed this book, it contained so many things that I enjoy; not just gay romance and clever magical systems, but also fascinating world-building, a gripping plot, and a truly progressive outlook. I am eager to see what happens next in this world, and I will definitely be picking up the next book in the series when it releases next year.